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    Matthew Hyleck Ceramics

    Matthew Hyleck CeramicsMatthew Hyleck CeramicsMatthew Hyleck Ceramics

    Hand-crafted Stoneware and Porcelain Pottery

    to Shop

    Matthew Hyleck Ceramics

    Matthew Hyleck CeramicsMatthew Hyleck CeramicsMatthew Hyleck Ceramics

    Hand-crafted Stoneware and Porcelain Pottery

    to Shop

    Portfolio

    About

    image20

    the Glaze

    the Artwork

    the Artwork

    I have worked primarily with Shino since first encountering these glazes in 1998 – the entirety of my non-student potting career – and still find the Shino glaze family provides a tremendous visual and textural breadth. These glazes remain highly sensitive to clay body, application, kiln atmosphere, and duration of the firing which in tur

    I have worked primarily with Shino since first encountering these glazes in 1998 – the entirety of my non-student potting career – and still find the Shino glaze family provides a tremendous visual and textural breadth. These glazes remain highly sensitive to clay body, application, kiln atmosphere, and duration of the firing which in turn allows for tremendous diversity with a touch of serendipity.


    Most contemporary American Shino glazes contain a balance of feldspar, soda ash and kaolin to build the central components of the glaze; which, when fired, produces a thick semi-transparent brown to white semi-gloss surface.


    I owe my potting career to those pioneering potters who have tested and re-tested, fired and failed only to persevere in their pursuit of all Shino and their myriad possibilities. 

    image21

    the Artwork

    the Artwork

    the Artwork

    My ceramic works are informed directly by my love for natural objects coupled with a passion for utilitarian pottery. Natural shapes, textures, patterns and symbols provide design elements for my artwork as I explore the hand-made object within a defined domestic landscape. The dialogue between a hand-made object and the user is a signifi

    My ceramic works are informed directly by my love for natural objects coupled with a passion for utilitarian pottery. Natural shapes, textures, patterns and symbols provide design elements for my artwork as I explore the hand-made object within a defined domestic landscape. The dialogue between a hand-made object and the user is a significant ritual and my goal is to craft elegant pottery to enhance daily routine. Through my design and surface glaze work I explore shifts in nature through the seasons; abstracting natural and man-made cycles of a farmer’s field, rolling hillsides and the fertile landscape.

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    Artist

    the Artwork

    Artist

     Matthew Hyleck received a BFA from Xavier University in 1997. He is currently an associate artist and instructor at Baltimore Clayworks whose outstanding functional pottery has earned recognition by the Maryland State Arts Council IAA in Craft in 2018, 2011, 2007 and 2005 and has received recognition within the field of ceramics. His stu

     Matthew Hyleck received a BFA from Xavier University in 1997. He is currently an associate artist and instructor at Baltimore Clayworks whose outstanding functional pottery has earned recognition by the Maryland State Arts Council IAA in Craft in 2018, 2011, 2007 and 2005 and has received recognition within the field of ceramics. His studio work was featured on the December 2011 Ceramics Monthly cover article. Additionally he has completed visiting artist-residencies at Tainan National University for the Arts, Taiwan R.O.C., Ohio University’s Woodfire Symposium and Watershed Craft Center’s artists invite artists residency. He serves as the education coordinator for Baltimore Clayworks Mt. Washington campus, a position he has held since October 2000. He maintains an active home studio in the Beverly Hills neighborhood of Baltimore City 

    Glaze Process

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    Step 1:

    Bisque work at ^06 (1850° F) receives first application of Shino glaze and pattern grid is prepared. Generally this first application consists of a thin orange Shino glaze.

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    Step 2:

    Wax resist pattern is applied on top of 1st Shino glaze and allowed to dry minimum of 1 day.

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    Step 3:

    Second layer of Shino is applied and wood ash is sifted on to localized areas of the piece. 

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    Step 4:

    Glaze fired in downdraft gas reduction kiln to ^10 (2310° F).  Shino glazed stoneware and porcelain pieces are food and dishwasher safe. 

    Contact

    contact me

    Matthew Hyleck Ceramics

    Baltimore, Maryland, United States




    Exhibitions & Events

    March 9-15, 2021

    Quietude II

    Schaller Gallery, Baroda MI

    Event Details

    March 9-15, 2021

    Quietude II

    Group exhibition featuring utilitarian ceramic works by Doug Casebeer, Nick DeVries, Nancy Green, Matt Hyleck, Matthew Krousey, Scott McClel...

    Event Details

    Schaller Gallery, Baroda MI

    August 28 - October 2, 2021

    Terra/Flora: New Work by Matt Hyleck and Brenda Quinn

    Saratoga Clay Art Center, NY

    Event Details

    August 28 - October 2, 2021

    Terra/Flora: New Work by Matt Hyleck and Brenda Quinn

    A duo exhibition featuring utilitarian ceramic works by Maryland potter  Matt Hyleck and New York potter Brenda Quinn.  The Center will also...

    Event Details

    Saratoga Clay Art Center, NY

    November 12 - 14, 2021

    Pottery on the Hill 2021: 10th Anniversary

    10am

    -

    8pm

    The Hill Center at the Old Naval Hospital, Washington D.C.

    Event Details

    November 12 - 14, 2021

    Pottery on the Hill 2021: 10th Anniversary

    This is your chance to see 21 of the finest national ceramic artists in America in one place. 

    Pottery on the Hill features functional potter...

    Event Details

    10am

    -

    8pm

    The Hill Center at the Old Naval Hospital, Washington D.C.

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